Monday, December 13, 2010

The Corps de Ballet

http://news.yahoo.com/s/yblog_thelookout/20101213/us_yblog_thelookout/sugar-plum-fairy-doesnt-want-apology-from-critic-who-called-her-fat

Okay, this is about the ballet dancer that the ballet critic said was a few sugar plums over fairy weight. I’ve seen the footage. Let’s just start with, she’s not fat. And the fact that she considers herself “womanly” is a measure of how wonky the ballet perception of body types is. Womanly? Not by a long shot, Slim. From the description I was expecting, if not a Fantasia-style dancing hippo, then at least something that approached voluptuous. Instead, she has the kind of build most women won’t see after their 18th birthday. And, at least to my eyes, she appears light and floaty, like any other dancer.

And actually, I think it’s one of those things where when you’re inside the group you just don’t see the group think. Yes, there’s a certain ideal in ballet. There’s an ideal in the fashion industry. There’s an ideal in professional football. But that doesn’t mean that someone who doesn’t fit the ideal can’t achieve. Could a ballerina who is truly overweight achieve something graceful and visually appealing? Possibly, but you might never get to see it if she could. Because she isn’t what a choreographer sees in their mind’s eye, she might never get a chance.

Sure, every industry has the right to set their own standards. But ballet would do well to remember what happened to the American car industry. They fell into group think about what an ideal American car should be. And slowly but surely, that ideal became less and less what actual Americans wanted to buy. They idealed themselves right out of the market. Fashion is seeing this with their waif-like ideal. Major fashion houses are going under for sticking to that ideal, and Jessica Simpson is approaching the $1 billion dollar mark in sales designing for people who aren’t stick figures (gawd I love that – go, Jess). And people like my Mom, who appreciate a fast-paced version of football that the titans of the NFL aren’t able to achieve, are now watching college ball, where the players still look like someone you could actually meet on the street, without worrying about being squashed.

But apparently, the fact that so few people have any interest in the ballet as an art form hasn’t penetrated yet. Maybe if more parents hesitate to send their daughters to ballet class out of fear of their child developing a warped body image, maybe then they might get the message. Or maybe they’ll stick to their ideal right into oblivion along with the Humvee. A shame, considering how much grace and discipline the ballet can teach.

2 comments:

WashingtonGardener said...

The diff in ballet is someone hasto LIFT that body off the floor - up HIGH (often overhead with one arm) and for a LONG time. There is a very good reason why petite and rail-thin are the rule. Sure you can dance if you are a bit heavier, but don't expect any duets or to even be anything but the back line.

FirePhrase said...

One of the most interesting ballets I've ever seen was a pas de deux where they each lifted each other. Was almost entirely classic ballet, except for this one twist. It was very physical, and kind of riveting. And those ballet boys can be skinny, but the typical ballet girl would never have pulled off the lifts even with them.

TIME: Quotes of the Day